Advertising has received
some pretty rough treatment in movies over the years. Advertising characters in
the movies have problems. They have trouble dealing with the truth. And they
can’t seem to manage their family and/or personal relationships. Here’s are
some movies that, I think, illustrate my point.
The Hucksters, 1947: Clark Gable is Victor Norman. In this film Vic invests $35 for a
“sincere” tie to make him appear worthy of a high paying position at an
advertising agency. He gets a shot at managing THE BEAUTEE SOAP account. His
client vividly demonstrates how he thinks advertising works. He spits on the
conference room table. “Mr. Norman, you’ve just seen me do a disgusting thing.
But you will never forget it.” He further explains that advertising must “Irritate.
Irritate. Irritate.” Vic must find a way to keep his integrity and keep this
client happy.
The Man in a Grey Flannel Suit, 1956: Gregory Peck is a Madison Avenue Public Relations
man. He is uncomfortable with the deceptions that are a routine in his work.
Ultimately, he finds the truth liberates him, in his career, with his family,
and dealing with his past.
Twelve Angry Men, 1957: This classic movie, staring Henry Fonda, is about
jurors deliberating in a murder trial. It features, on the jury, a pretty
dramatic specimen of a wishy-washy and spineless advertising man. He’s the one
most willing to be swayed by popular opinion. “Run it up the flagpole, see if
anyone salutes.”
North by Northwest, 1959:
Gary
Grant is an advertising man. When he’s about to be roped into a special
assignment with the CIA he says: “Look
here, I’m an advertising man not a red herring. I have a job, a secretary, a
mother, two ex-wives and several bartenders dependent upon me.” In another
scene, he tells his secretary: “In the world of advertising there’s no such
thing as a lie. There’s only expedient exaggeration.”
Kramer vs. Kramer, 1979: Dustin Hoffman is Ted Kramer, a creative director,
who’s just been handed big THE MID ATLANTIC AIRLINES account. Ted’s wife,
(Meryl Streep), announces that she is leaving him and their 7-year-old son. Ted
loses his job while trying to be a single parent. One memorable scene shows Ted
desperately interviewing for a job the Friday before Christmas with an office
party as a backdrop.
Lost in America, 1985: Albert Brooks plays a man fed up with the rat race
and convinces his wife to travel across country in a recreactional vehicle.
This hero ultimately must return to the business he knows in order to survive.
Nothing in Common, 1986: Tom Hanks is a hot shot creative director who’s just
been handed the COLONIAL AIRLINES account. He risks loosing everything to
attend to his father in the hospital.
Crazy People, 1990: Dudley Moore finds himself in a mental institution where he discovers
telling the truth in advertising is a big idea. His mental patient mates are
recruited with a show of hands. “Who wants to be an ad man?” The show of hands
is impressive until Dudley follow’s up with “Who wants to be a fire truck?”
gets a similar response.
Twelve Angry Men, 1997: This movie was remade with an all-star cast. The
wishy-washy ad man remains a timeless classic.
It’s enough to make you
wish you sold used cars for a living.
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