Waiting out this hammer toe.
Will you still feed me when I’m 64?
Happens every day, what the heck.
Appendectomy, because it burst.
It’s persistent and it is chronic.
Give your spouse a ring;
In 1917, the artist met Olga
Khokhlova, a Ukrainian-Russian ballet dances at Ballets Russes who
became his first wife. Eventually, she retired from the company and
traveled with Pablo to Barcelona, where she met his family. She was featured in
the works like Portrait of Olga in an Armchair (1918). The two
fought a lot, and Picasso soon became transfixed by Marie-Thérèse Walter around
the late 1920s. In the year 1935, Olga separated from Picasso after
she found out that Walter was pregnant with the artist’s child, but the artist
refused to grant a divorce. Khokhlova was depicted in Picasso's art such as the
painting The Minotaurmachy (1935) and Bullfight: Death
of the Torero (1935) as a horse gored by the mythological
minotaur, eg. Picasso himself.
The first significant woman in the life
of Pablo Picasso was Fernande
Olivier, who was his artistic
muse that inspired his art throughout their seven-year-long
relationship. The two met in 1904 and, just a year later, they began living
together in his studio. Picasso and Olivier consumed opium, both were very
feisty and frequently unfaithful to one another. Such a situation made Picasso
very jealous and possessive, and allegedly he used to lock Olivier in
their studio when he would leave.
Marie-Thérèse Walter was perhaps the greatest love of Picasso’s life. She
was gentle, obedient, and served as the inspiration for some of his most
sensual art—paintings and sculptures. Thanks to her physique, Walter was an
ideal muse and model for Picasso's Surrealist period. The Large Still
Life with a Pedestal Table (1931) is a disguised portrait of
Walter or Sleeping Nude (1932) that manifests the
artist’s infatuation with the sensory pleasures offered by Walter. In
painting Guernica (1937), the artist presented Walter’s
youthful features as a motif of innocence, while in The
Farmer’s Wife (1938) he referred to Walter as a symbol of the
indifference of European nations to the destruction of free Republican
Spain by the Fascists.
In 1935,
Picasso got introduced to Dora Maar, a gifted photographer, poet, and painter who instantly dazzled
Picasso at the café Les Deux Magots in Paris when she took a knife and rapidly
stuck it into the table between each of her fingers. Unlike Marie-Thérèse
Walter, who was gentle and passive, Dora Maar was far more challenging
especially in terms of intellect. Their love relationship was intense because
Maar was part of the Surrealist movement and the artists in her own right.
She was depicted through cubist style in a powerful Portrait of
Dora Maar (1937).
Françoise
Gilot was another
Picasso’s lover and muse from 1944 to 1953, and the mother of his children
Claude and Paloma. Very soon Gilot replaced Dora Maar as his primary
mistress in his life and has become a strong holder of his happiness that
resulted in the fruitful production of ceramics, sculptures, and his
exuberant Joy of Life series.
The last
significant woman worth mentioning was Jacqueline Roque who
was Picasso’s wife, muse, and loyal assistant from 1953 until
he died in 1973. When the two met, Jacqueline was twenty-seven,
recently divorced, and working as a sales assistant at a shop on the French
Riviera, where the artist produced his ceramics. Picasso was very much inspired
by Roque, creating more pieces of art centered on her than on any of the other Picasso
women. Interestingly so, on the night Picasso was to be buried,
Jacqueline slept outside in the snow, stretched over his grave.