The talent is
astounding. The work is impressive. The students are part of the annual
portfolio review process and converge again on campus at Maryville University in
the Donius Student Center. Maryville, of course, is well represented and
showing an impressive esprit de corps. The pride is justified if you get a peak
at the work. But Mizzou, Missouri State, and UMSL (The University of Missouri,
Saint Louis) are well represented too. As are several other schools within
driving distance of Maryville University, just west of downtown St. Louis. They
are part of the annual ritual portfolio review presented by the St. Louis
chapter of the AIGA. They are mostly graduating seniors at that career crossroad anxious to transition from academia to the cold hard reality of the real world of work.
These students have
polished portfolios showcasing their classroom exercises. “In this assignment
we were challenged to design three spreads of a magazine. It was entirely up to
us to choose the publication but we were expected to show how editorial spreads
and images might be presented.” So it goes, with student work. It is part
reality and part fiction. But the designs are compelling and believable. “In
this assignment I wanted to show how graphics might enhance the customer
experience of using public transportation. A Metro-Rail rider can use a mobile app that will allow them to plan a trip down to calculating the arrival of the
next train and paying their fare.” Wow, it’s graphically exciting and tech
savvy. “My portfolio includes a number of logos and type that I have designed.
I like to create images that will reinforce a brand story.” And another impressive
presentation with unfettered confidence.
I love this confluence
of passionate design students and those who emerge among the ranks of
professional reviewers. I have participated several times in the past fifteen
years. As such I have witnessed, in that span, evidence of paradigm shifts:
from Print to Digital; from oversized portfolio cases to tablets; from
respectful homage to designers and typographers to Wikipedia; from physical
mock-ups to virtual experiences on student built websites. Meanwhile the
marketplace changes and reviewers are relying on this new wave for completely
fresh skill sets. The tables turn ever so slightly in favor of the emerging
talent. The implied promise of training and development is now more elusive.
The expertise, while undeveloped, lives with the next generation. These
individuals have every right to assume they will rise, and quickly. If not they will leave for another
experience or depart for an entrepreneurial venture. (Fair enough.)
Maybe. But cash is king,
Content is critical. Concept is still driven by strategy. And students know
they still have a few things yet to learn about marketing themselves and their
ideas. The good news is they have incredible tools to do so. I like what I see.
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