Of Mere Being
By
Wallace Stevens
The palm at the end
of the mind,
Beyond the last thought, rises
In the bronze decor.
Beyond the last thought, rises
In the bronze decor.
A gold-feathered
bird
Sings in the palm, without human meaning,
Without human feeling, a foreign song.
Sings in the palm, without human meaning,
Without human feeling, a foreign song.
You know then that
it is not the reason
That makes us happy or unhappy.
The bird sings. Its feathers shine.
That makes us happy or unhappy.
The bird sings. Its feathers shine.
The palm stands on
the edge of space.
The wind moves slowly in the branches.
The bird’s fire-fangled feathers dangle down.
The wind moves slowly in the branches.
The bird’s fire-fangled feathers dangle down.
The incomparable Ann Bauer was as the edge of
the parking lot as the scheduled tour began to assemble. The students from
Washington University, St. Louis arrived in two or three separate cars. At
least one had time considerations because she had to return for an evening
class. 10 students in all with Ann, two Laumeier docents in training and myself.
Ann was already teaching the group with an overview of what the tour might
include. She pauses only briefly to suggest that I would take the lead after
she – on doctor’s advice – heads to the hospital. (My goodness, we are
fortunate to have Ann as our kick off presenter, but by all means Ann, listen
to your doctor. I am happy to take the lead and hopeful that Ann seeks
appropriate medical attention. It seems reasonable for a ninety year old to do
so – even if that ninety year old has the spirit of the very college students
listening intently.)
Ann asked me to elaborate on the Jackie Ferrara
second original. She wanted to make
sure this tour included the Sam Durant Free
Hanging Chain, the newly refreshed Donald Judd and what Ann referred to as
the Juan William Chávez ghost piece.
I obliged Ann, in due time, over the course of the next 90 minutes. Along the
way this group of youngsters exuded the joy of being outside together. They are
docents too (at the wonderful Mildred Lane Kemper Museum located on their campus)
– some for only a semester – and by show of hands most self identify as artists
in their own right.
The
youthful energy resulted in smart phone group photos, selfies, and childlike
joy in discovering Ian Hamilton Finlay’s site specific Four Shades and finding Vito Acconci’s Face of the Earth. We walked around Charles Ginnever’s Crete as the views frame the lush green
Spring landscape against the patina of Cor Ten Steel – an especially beautiful
site this day because of the light and energy this group brings to the work.
I
assigned Of Mere Being as homework --
the Wallace Stevens Poem that inspired Richard Lobe’s Palm at the end of the Parking Lot along with the challenge to
return to our sculpture park again and again. I hope they do. We are a better
place for having them as guests.
Contact: Allison Fricke
Work Telephone: (314) 935-5624
Complementary Tour for Student Docents with
Allison Fricke, Assistant Educator @ Kemper. Collection Highlights Tour/Info on LSP Docents
Lead Docent: Ann Bauer
Docent 2: Wes Morgan (Q’s about Docent Program)
Docent 3: Loren Ludmerer/shadow
Docent 4: Florence Kramer/shadow
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